Art Restitution
Art Restitution
Art Restitution
Sara Angel wrote her PhD dissertation on Nazi-era art restitution and how it has become one of the most significant topics in the international art world since the mid-nineties.
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Through the framework of the Max Stern Restitution Project, Angel’s doctoral research explored how art-recovery cases have challenged jurists, impacted international cultural policy, and given museums public relations nightmares. Her research continues to document the complex history of Nazi-era art spoliation and illustrates how curators and art historians must develop new approaches to both provenance studies and the teaching and display of cultural property.
Filling the Void: Two Provenance Case Studies from the Max Stern Art Restitution Project
Collecting and Provenance
Restitution About-Face: Max Stern, the return of Nazi-Looted art and Düsseldorf's double game
THE TEREZÍN DECLARATION – TEN YEARS LATER: CONFERENCE PROCEEDINGS
Backlash as Max Stern exhibit dubbed ‘Too Canadian’ for Dusseldorf
MACLEAN'S
The remarkable story of Max Stern’s ‘Women of Weinsberg’
MACLEAN'S
Germany still has a problematic approach towards Nazi-era art restitution
Globe and Mail
Ronald Lauder Takes Germany To Task Over Lack of Action on Art Restitution
Globe and Mail
