Academic Writing

Sara Angel’s academic writing has appeared in international journals and museum catalogues.
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Her academic writing is focused on topics such as art restitution, network theory, Picasso’s Guernica, Canadian art history, and contemporary visual culture. It has appeared in multiple publications, including the Journal for Canadian Art History, Leonardo: The Journal of the International Society for the Arts, Sciences and Technology, and exhibition catalogues from the country’s leading art galleries.

Filling the Void: Two Provenance Case Studies from the Max Stern Art Restitution Project
Collecting and Provenance

Filling the Void: Two Provenance Case Studies from the Max Stern Art Restitution ProjectCollecting and Provenance

Restitution About-Face: Max Stern, the return of Nazi-Looted art and Düsseldorf's double game
TEREZÍN DECLARATION – TEN YEARS LATER: CONFERENCE PROCEEDINGS

Restitution About-Face: Max Stern, the return of Nazi-Looted art and Düsseldorf's double gameTEREZÍN DECLARATION – TEN YEARS LATER: CONFERENCE PROCEEDINGS

Miss Chatelaine
INTRODUCING SUZY LAKE

Miss ChatelaineINTRODUCING SUZY LAKE

Mother Earth and the Spirit of Eternity: Lawren Harris, Grounded Icebergs, and the North American Landscape in Ecstasy
PICTURING THE AMERICAS

Mother Earth and the Spirit of Eternity: Lawren Harris, Grounded Icebergs, and the North American Landscape in EcstasyPICTURING THE AMERICAS

Lessons from the Press: Picasso and Mass Print Media 1911 to 1937
Regarding the Popular

Lessons from the Press: Picasso and Mass Print Media 1911 to 1937Regarding the Popular

The Mnemosyne Atlas and the Meaning of Plate 79 in Aby Warburg’s Oeuvre as a Distributed Object
LEONARDO

The Mnemosyne Atlas and the Meaning of Plate 79 in Aby Warburg’s Oeuvre as a Distributed ObjectLEONARDO

Two Patrons, An Exhibition, and a Scrapbook: The Lawren Harris–Georgia O’Keeffe Connection, 1925-1926
THE JOURNAL OF CANADIAN ART HISTORY

Two Patrons, An Exhibition, and a Scrapbook: The Lawren Harris–Georgia O’Keeffe Connection, 1925-1926THE JOURNAL OF CANADIAN ART HISTORY

© SARA ANGEL 2021