Miss Chatelaine

Mother Earth and the Spirit of Eternity: Lawren Harris, Grounded Icebergs, and the North American Landscape in EcstasyPICTURING THE AMERICAS

Miss ChatelaineINTRODUCING SUZY LAKE

Two Patrons, An Exhibition, and a Scrapbook: The Lawren Harris–Georgia O’Keeffe Connection, 1925-1926THE JOURNAL OF CANADIAN ART HISTORY

Lessons from the Press: Picasso and Mass Print Media 1911 to 1937Regarding the Popular

The Mnemosyne Atlas and the Meaning of Plate 79 in Aby Warburg’s Oeuvre as a Distributed ObjectLEONARDO

Germany still has a problematic approach towards Nazi-era art restitutionGlobe and Mail

The remarkable story of Max Stern’s ‘Women of Weinsberg’MACLEAN'S

Backlash as Max Stern exhibit dubbed ‘Too Canadian’ for Dusseldorf - DuplicateMACLEAN'S

Ronald Lauder Takes Germany To Task Over Lack of Action on Art RestitutionArtnews

Restoration DramaTHE GLOBE AND MAIL

Adam Miller’s ‘Quebec’MACLEAN'S

Geoffrey Farmer's Tour de Force at the Venice BiennaleMaclean's

Montreal Project Helps Solve Issue Around Recovering Nazi-Stolen ArtThe Globe and Mail

A Landmark Exhibition for Artist Elisabeth Vigée Le BrunMaclean's

Lives Lived, Unseen: Jewish Ghetto Life in Nazi-occupied PolandMaclean's

A Picture Paints a Thousand Lies: On Truth and War PhotographyMaclean's

The Secret Life of Max SternThe Walrus

Emily Carr goes to LondonMaclean's

The vindication of CanStage’s Matthew JocelynMaclean's

Filling the Void: Art and Commerce Find Harmony at the Esker FoundationCanadian Art

The Supermodel and the Brillo BoxThe Globe and Mail

Their Life in PicturesMaclean's

How Comedian Steve Martin became a Champion for Lawren HarrisMaclean's

The Man Who Paints Canada from TrinidadMaclean's

Kim Dorland: ‘Tom Thomson on acid’Maclean's

Almost Famous: Shary Boyle steps onto the world stage at the Venice BiennaleThe Walrus

Surface MattersCanadian Art

The People's ArtThe Walrus

The Group of Seven Are Coming HomeMaclean's

Ryerson University Wishes Upon a Shooting Black StarMaclean's

The Six Habits of Highly Successful Art CollectorsThe Globe and Mail

Get Some ArtThe Grid

At Ottawa Exhibition, You'll See Another van GoghThe Globe and Mail

New Exhibit at the AGO Gets Inside Picasso’s HeadMaclean's

Unfinished BusinessThe Walrus

Drawn and QuarteredMaclean's

Bling It OnThe Grid

Naked Ambition: Toronto’s Newest Art StarThe Grid

Out of the WoodsThe Grid

Imagine Rembrandt with an iPadMaclean's

Three Ways to Navigate Nuit BlancheThe Grid

Pixar meets PicassoThe Grid

True Patriot LoveCanadian Art

Walk this WayThe Grid

Mondo TaxaliThe Grid

How General Idea Predicted the FutureMaclean's

Cameron House ClassicsThe Grid

Toronto Outdoor Art Exhibition Shopping ListThe Grid

The Accidental CollectorThe Grid

Caravaggio does OttawaMaclean's

There’s An App for That: Sandy Nicholson’s Multimedia Project “0 to 100”The Grid

Canada is about to Rock VeniceMaclean's

Abstract Expressionism 101The Grid

Unicorn's TaleThe Grid

CONTACT Decision MakerEYE Weekly

Refined CrudeEYE Weekly

Northern LightsEYE Weekly

In Marilyn’s BedEYE Weekly

Looking for CluesEYE Weekly

The Art of SeeingEYE Weekly

David Blackwood Finally Gets His Moment in the SunMaclean's

Kim Dorland: NocturneEYE Weekly

Not your grandmother’s porcelainThe Walrus

Pics and the CityEYE Weekly

Diamonds: A King’s Best FriendEYE Weekly

The Art Stylists: Helping You Get Art Bang On Any BudgetEYE Weekly

Conceptual Art ClarifiedEYE Weekly

Four Nights in the Funhouse: Janet Cardiff and George Miller at the Venice BiennaleSaturday Night

The Methods of MiesSaturday Night